Time to Move On: I Was Wrong

 

Not too long ago, I scored one of these: a Panasonic GF-1, although mine has the 14-42mm kit zoom lens vs. this 20mm f/2.0 pancake. I later picked up the VF-1 electronic viewfinder, after learning the hard way that outside shooting in full-sun was pretty difficult just using the LCD. I love this picture of it with the Minolta CLE which I would argue is it's spiritual forerunner. Japanese company known for cutting edge electronics, teaming up with revered German lens (and camera) maker to create a hybrid camera which was more then either could accomplish alone......2 1/2 decades apart.

Turns out that I'm not terribly comfortable using it. Love it's compactness, however, for me to be even somewhat comfortable, I have to have the VF-1 attached. This really blunts it's most compelling attribute in my world.....the size and ease of carry. I find that I'm constantly snagging that finder on things. Maybe I'd feel differently if I already owned the 20mm pancake lens and would have another reason to try and justify keeping it. But that's another $300-350, when combined with the $175 that I already have in it; it's just way more than I want to have invested in a "sometimes" camera. And now that, I've got the CoolPix 8400 that my brother sent me, I just don't find myself turning to this camera very often if at all. Yes, I know that those are very different cameras, but for me, they fill a similar role. 

Then there's this guy. It's smaller and lighter than my D300, and I've found, that for what I use this camera for; the 6Mp sensor is just fine. However, it's just not enough smaller and lighter than the D300 to make it compelling enough to keep. Plus, I've found that, other than the 28-80mm that I keep on it, I don't have, and aren't contemplating buying any more of the old "screw-drive" auto-focus lenses that allowed the D50 to have an advantage over the D40. It also turns out that the camera's commonallity of battery with the D300 is also something I never use either. The fact is: I was wrong. Some of you are now stunned, right? But hey, you live and learn. Well; now what? I'm going to say that I've got about $175 tied up in the GF-1 and conservatively, another $125 tied up in the D50. I'm almost 100% certain that I can get at least the $400 selling these two camera.

This is kind of like waving a red flag in front of the proverbial bull! Ouch! What can a Frugal Propellerhead do with a potential $400!?!

This is a little like asking Michael Jordan, what he'd like to do with a basketball in his hands! The possibilities are endless. He famously once told an interviewer that when he has the ball, "you are at my mercy". That's what I think of eBay or Craiglist when I have a mission and money to accomplish it!

So, we'll start at the beginning. This is the starting point; my D300, with MB-D10 battery pack, and Nikkor AF-S 18-200 VR lens attached. What I'm looking for is a counterpoint of this beast. Something significantly smaller and lighter. It doesn't need to be compact enough to be "pocket able", but I'm going to want it to take the same lenses and flashes that I already use. So in other words.....a Nikon. 

Now, wait-a-minute! That's not a Nikon! No it's not. In a perfect world, that would be a Nikon instead of the Olympus E-420 with the Zuiko 25mm f/2.8 pancake attached (50mm eq.). But no, there's never been anything in the Nikon inventory of this size.

What....The Enemy!?! I wish! Let me just say that I love the form-factor of the new Canon EOS Rebel SL1 (100D in other countries). And I'm damn lucky that Nikon didn't do this! 'Cus it's brand new and the price is in excess of $500 dollars without a lens! The fact is; I don't want to spend anywhere near this kind of money for a secondary camera/backup. I am after all, frugal. However, if you are in the market for an entry-level DSLR, I'd highly recommend looking at this thing at the big-box stores and reading some reviews. It's very well thought out, the size is great (especially for those with little hands), and the price it pretty darned good....for those who are into buying new, that is. Why not the E-420, which by the way, can be had for $200-250 used on a regular basis? Dead mount, that's why! When the 4/3rds consortium moved over to the Micro version of the mount, it orphaned the old mount, plus all the lenses and cameras along with it. Does this mean that they are useless? Absolutely not! Just understand that they aren't making anything new for them so they aren't a very good investment. However, if you are already into this system, I'd jump all over the good deals that I see cropping up everywhere for these cameras and lens. If instance, for my friend Rich who already has Olympus 4/3rd gear, a cheap E-410/420 would be a great buy. I've seen 4/3rds lenses in pawn shops for less than $50 and E4/5/6x0 camera on Craigslist for less than $150. This is excellent equipment and a great deal right now. Just not for me since I'm pretty much married to with Nikon. 

Which leaves me with this guy. The D40. Yup, I had considered it and rejected it back when I was looking for a backup/secondary camera. I originally went with the D50 because it was not only smaller and lighter than my D300, but could use the same battery (which has never come into play). It also was a more similar form-factor with a secondary LCD info panel next to the penta-prism just like the D300 as well as other controls in similar locations. And I believe that's why Nikon went with the D40 design to replace the D50. When you keep everything very similar, by default you also limit the new design in many ways as well. Duh! Therefore, really, other than weight, the D50 didn't give me nearly as many advantages over the D300 as I would have liked so as to fully be an alternative! The very reasons that led me to choose the D50 over the D40 are the reasons that it failed in it's mission. But why not the higher pixeled D40x and D60 built on this chassis? Ahh; that's fodder for another post.

Yup, I feel pretty dumb about it, but I don't feel too bad. I can fix this. I should be able to sell the out-going cameras for around $400 and able to snag a functioning D40 for between $100 and $150. So, in the end, I'll probably do better than break even....plus I'll have had the fun of the hunt!




 

Great Deal: The 6 Megapixel DSLR

In the later half of 2003, a huge shift occurred in the photography world. Although Single Lens Reflex cameras equipped with digital sensors had been around for some time, going all the way back to midway through 1990s. They were unwieldy, expensive and didn't have enough resolution to pose a threat to film. And although the Nikon D1 of 1999 with it's 2.7 Mp sensor was the killer hardware for professional photojournalists, the $5500 price tag barely made a ripple in the consumer market. Then came the Canon Digital Rebel (300D)!
Most of you know that I'm not a Canon shooter, but I'm happy to give credit where credit is due. List priced at $899, this was the camera that kicked down the door that led to the world-wide consumers stampeded....along with the rest of the camera manufacturers that had the where-with-all to build a similar product. Nikon followed with the D70 in January of 2004 and the DSLR rush was on!
So, why then, with those cameras? Let's start from the beginning. Ever since the 1960s, the single lens reflex (more specifically Japanese SLRs) had dominated the photography scene. Virtually all serious photographers bought them, and those that didn't (serious or not) wanted one. When digital came along in the mid-to late 90's, it was obvious that, that was going to be the next big thing in photography, however, the sensors didn't give enough resolution for pictures to not look grainy and "pixelated" when blown up beyond snapshot (4x6) size and there was so much electronic "noise" in the image beyond ISO 400 that they were all but unusable.
However, between 2000 and 2003 a series of technologies converged to form the perfect storm of consumer market-dom! First, noise was conquered in larger APS-C format sensors which was the size first used in market-viable DSLRs. At the same time, manufacturers were able to get enough photo-sites onto them to get resolution up to 6 Mp, thus enabling prints blown up to 11x14 (and beyond) to be virtually indistinguishable from film! The third and main event was the breaking of the $1000 barrier which brought in the flood of consumers which has further driven the costs of production (and price of cameras) down through the magic of economies of scale! You take these advances, cram them into a cheaper to produce plastic body, get rid of a few expensive features; a seminal product is created!
At this stage of the game, everyone from serious amateurs to soccer-moms were snapping them up as fast as Canon and Nikon could build them. This led to pretty much every other manufacturer jumping into the pool. I'm not going to do a timeline here, but suffice to say that between 2003 and 2005, everyone from Pentax, Olympus to Konica/Minolta got something out into the sub-$1000 market-space. What does that mean to us......the frugal propellerheads of the world?
The fact is that to the "Average Joe" who just wants to shoot pictures of their kids growing up, family events and maybe even dabble in some artsy things like shooting the moon or wildflowers, 6 Mp is plenty. And these barrier-breaking cameras are now hitting the used market by the thousands! With entry-level replacements MSRPs at something south of $599, that puts fully functional used DSLRs in the sub-$300 range and I've seen them sell for close to $200 or less!
Think about this. Here's cameras which are all legitimately competent at virtually anything a normal person might ask of it. Give's the user the capability to access a virtually limitless treasury of lenses of every description, quite often for a "song", shoot pictures to your heart's content AND simply delete the non-keepers.....without the costs of film.....ALL AT THE PRICE OF A HALF-DECENT POINT-AND-SHOOT!!! That's just crazy! Is this a great country or what!?!

Which one should you consider? That's contingent on a few factors, the most important being what feels good in your hands and you like the interface the best. It's like the Mac vs. PC question. So here are my recommendations to look at and see what fits you the best:

• Canon Digital Rebel XT (300D) and XTi (350D)
• Nikon D70, D70s, D50, D40
• Olympus E500, E510, E520, E610, E620
• Pentax *ist D, *ist DS
• Konica/Minolta 5D
• Sony A100, A200 (first two models after Sony took over the Konica/Minolta line)

I chose these, because they are all at least 6 Mp, and can routinely be found in the $200-300 price range. All of them are systems that have been around for some time and therefore have sold quite a lot of cameras (with Nikon and Canon being far and away ahead of the others), lenses and other accessories. Some of them, such as Nikon and Pentax still use the same lens mount (with some modifications) going back to their film camera days thus allowing a user access to a huge inventory of glass, both OEM and after-market.
Which brings up the reasons for choosing one manufacturer over another:

• Feature set. Research, research and research. All of these cameras have ridiculously long lists of features, some useful, some not as much. Most have similar ones, others (like the Konica/Minolta sensor-shift), not as much.
• What do you like. Be a pest. If you have friends with any of these cameras, by all means ask them about it and see if you can take a few pictures with them. For instance; you may find that while most reviewers don't care for Canon's grip size/shape, that maybe with small hands, you are fine with it.
• Personal history. Does your dad have a bunch of old gear in a closet that you can have? Maybe there are several old Nikon or Pentax lenses that will work with your "new" camera and put you ahead of the game?
• Cast a wide net. After looking at the other factors, if it doesn't look like one is an overwhelming favorite, then create a list of all the ones that might work and find the best deal among them.
• Other factors. What else might you want to do with it in the future. It could be anything from underwater photography to astro-photography. Understand that the most popular (read common) models such as Canons and Nikons generally have had the most accessories made for them. This could range from something as common as dedicated flash units, to something as esoteric as telescope adapter mounts or macro-photography bellows units.

If you used to use SLRs back in the film days, the decision is a "no brainer". If you haven't and have been shooting pictures with a digital point and shoot, the difference in using a DSLR is astounding, almost indescribable. You'll wonder why it took you so long to do it. No, although $200 isn't inconsequential, the fact of the matter is that for a rather modest investment you can open yourself up to a whole new world.
Next time: how to collect important DSLR accessories, the Frugal Propellerhead way.

The "A" Team

Back in the old (I mean when I was a kid) days, "The A Team" was a highly successful TV show with George Peppard, Dirk Benedict and Mr. T. The show was about a band of "elite" services solders who had been wrongfully convicted of some crime and were now fugitives. This modern day band of Robin Hood wandered about helping people and trying to clear their name typically just one step ahead of "the law" trying to capture them. At the center of the mayhem was the ever present "plan". In fact, arguably, the most famous part of the show would be when toward the end of every episode, after a number of unexpected twists had occurred, but the goal had ultimately been accomplished, Col. John "Hannibal" Smith (George Peppard) would, take the cigar out of his mouth, grin and say: "I love it when a plan comes together"!
Yes, I know there's been a remake, but I'm a cranky old guy, so I'm going with the original....OK!?!

The part the pertains to me is of course the "unplanned" aspects of the situation which add drama, yet ultimately don't get in the way of the plan coming together. What that relates to of course is my previous post about "falling off the wagon" and picking up a Nikon D70s and 18-70mm lens that I had been coveting as an everyday shooter. Of course that was different from the "plastic-fantastic" (Nikon D50) that I wanted as my back-up camera/street-shooter/adverse conditions body.

So, here's what I have or have ended up with to fulfill my plan. A functioning Nikon D70s body (since I'm keeping the lens it came with). These are typically worth in the $150, give or take $25 either way. Cameras, especially in the lower-end/entry-level of the market tend to be worth more when packaged with a lens and ready to take pictures. So, a $125-150 body, plus a $25-35 lens with worth more than the sum of it's $150-185 total. A complete rig generally sells in the $250-300 price range. I know, crazy, right....why can't people just buy their own lens, put it on the camera and save the money? You have to remember the psychology of the buyer in this category. In all likelihood, they are new to either the digital end of the hobby or more typically, not certain they want to invest in the time and energy it takes to master a DSLR. These are intimidating pieces of equipment and to ask one of these folks to go out, research an appropriate lens, and purchase it to go on a body is usually a little too much. They'd much rather pay a $50-75 premium to buy it all put together.

Which brings me back to my situation. I have a camera body that I don't really want, but since I'm keeping the lens, I need a replacement for that. I have $150 invested in it. Going back to the early days of auto-focus, when it began to appear on 35mm film cameras, manufacturers made "kit" lens (both "original equipment" and "after-market") to go on them. This was after the "normal-zoom" revolution when the fixed 50mm "normal" lenses were replaced by either lenses ranging from 35-70mm to 28-80mm. On top of that, most people are unaware that the vast majority of them can be used just fine on modern DSLRs. This is thanks largely to marketing hype of everybody putting the word "digital" on the newer products to convince consumers to purchase the newer models. You add that to the confusion created by the smaller (DX/APS-C) used on most DSLRs; it creates a situation where there are hundreds of these perfectly useable older lenses for sale on eBay at ridiculously low prices. Which explains me picking up a Tamron 28-80mm/f3.5-5.6 for $27.

So, now I'm up to $177 invested. It needed a lens cap, a strap (which I have) and a charger. So I picked up generics of each last week adding $10, making the total now $187. The fact is that I'm a 100% certain that I can get at least that much from selling it locally as a "ready to shoot" package. A more likely price-point would actually be $225, even after discounting for the "hot pixel". So, ultimately, I'll end up not only getting the 18-70mm lens for "free", but making a little profit on the whole she-bang. That'll keep me on track to pick up the D50, "Plastic-Fantastic" at some point in the future.

Falling Off the Wagon!

Well; I did it. Went off the spending diet and bought something....well actually, four somethings! I've been researching a few items for some time. Two of them have been a backup camera and a general purpose lens that can also serve as"portrait" zoom . Last week, I found them.....both of them, all in one package.....kind of..... Anyway, there was an eBay listing from Portland, Oregon that had a Nikon 18-70mm/f3.5-4.5 lens that I've been wanting combined with a D70s camera that it was originally "kitted" with; listed for $150 BIN (Buy It Now). The lens alone has been selling for more than that on a regular basis. I know; I've been tracking them. The "fly in the ointment" was that the camera has a hot pixel, which shows up in red (at times) and leaves a bit of a trail (tiny red line extending down from it). The facts on this situation (other than the worth of the lens), is that completely non-working D70/D70s' often sell for nearly $100! So the gears started turning in my head. What if I added an inexpensive working lens and packaged it together as a system with a glitch? The probability is that it would sell for what I had in the whole she-bang....thus making the lens, free (or close to it)! So, I started looking.for a lens. 5 minutes later I came up with a Tamron 28-80mm lens selling for $27 (BIN, shipping included), and in the same search I found an Tamron 28-200mm lens with an auto-focusing issue for $15.50. Then I bought a 67mm Nikon NC filter for the new lens and I had well and truly fallen off the wagon and gotten run over by it!
OK, I'm exaggerating a little bit, since the facts are the I spent around $220 for, 1 camera, 3 lenses, and 1 filter. However when I came home yesterday from an all-day certification training (that was just a poke in the eye), it all looked much worse than it was since all 4 boxes had shown up at the same time and were piled up in the hallway!
So now, on to my rationale (or rationalization). No! It's not because that guy is threatening to break my face! For those who don't recognize him, he's Mike Holmes, the "Make It Right" guy and has several TV shows on HGTV. I love his show and on it, he's often seen shooting pictures of things done wrong as he inspects the houses. Although, the camera he uses is the devil's own, Canon, he has a short zoom mounted on it which is probably just the 18-55 kit lens that's sold with the camera. As i watched him use it on a weekly basis, it struck me as being very very slick handling and balanced for inside use. The converted focal length would be equivalent to about a 28-85mm on a 35mm camera. Although my 18-200mm super-zoom covers all that, it get a little heavy and unwieldy when you just need to grab a quick shot of the kids and/or the animals.
And this is something I really don't need. Kinda like getting out the shotgun to deal with a mouse in the house. Don't get me wrong, it's a great lens and the center of my arsenal, but just not the best for what I need most of the time. I've had this in the back of my mind for a long time. Of course there is the cheap 18-55mm kit lens that Nikon started selling with the introduction of the D50 which is really a pretty good performer, but with a Nikon conversion factor of 1.5x (vs. Canon's 1.6x), it only goes 27-82mm which is a little short of the other job I had for it.....a portrait lens.

Enter the Nikon 18-70mm/f3.5-4.5. This lens came into being as a "kit" lens as well, but one with a twist. It had "mid-line" build and optical quality! At a 35mm converted focal length of 27- 105mm, it's not only a great "grab the shot", quick-handling lens, but a nice portrait lens as well. Plus it has the added benefit of having a slightly brighter and shallower depth of field f4.5 at the long end vs. the 18-200mm which is already f5.6 at that focal lenght. It's not "VR" like the 18-200, but if you can't hold 105mm steady, you have no business shooting a DSLR!

As you can see, it doesn't extend anywhere near the length of the 18-200mm! As I've already confirmed as soon as I put it on the camera, the balance and handling of my D300 has completely changed.

It doesn't even tip over when I have the MB-D10 battery grip attached, lifting the whole assembly 1.5-2 inches higher. The construction of this lens is also very impressive as you can see by the Nikon diagram below.
Here's a comparison picture so you can get a better sense of the difference between the two lenses.

This lens really is a very good deal even if I had paid the full-pop $150-170 that they sell for. Instead of the VERY plasticy feel of the 18-55mm, you get much better construction with a steel mounting plate. Although that isn't a deal breaker for me, I don't like my primary lenses that I intend on using a lot to be built that way. The price is disproportionately low due to the fact that there are so many of them out there since they were often included in a "kit" with the D70, D70s, D80 and even the D200. In my case, I got the lens for a good price, plus got the D70s essentailly thrown in for free!

Now, if I can get what I hope for out of the D70s (with a hot pixel) and the Tamron lenses, I might even end up with a profit on my hands and possibly partially paying for my true target for a backup camera. The lighter and more compact, D50!

It's tough to be Frugal

It’s rough, but it's gotta be done. These days, I’m in a partially self-imposed austerity program. This is of course partially due to a lack of liquid assets, and partially due to just plain having too much stuff! However, that doesn’t mean I’m not on Craig’s List and eBay. In order to “stay in the game”, even when you aren't buying, you can’t afford to let knowledge about the market to slip. The other important factor is that the key of being frugal, is long-range planning! For me, that planning includes the growth in all three of my hobby areas. Today, I’ll discuss my photography “roadmap”.

I have for some time decided that I’d really like to develop in a several areas of photography. The first being in portraiture. To this end, I’d like to add one or more remotely controllable strobes, as well as the adapters, light stands, and modifiers necessary give me project flexibility. Ideally, that would be at least one more Speedlight which would give me a portable and powerful flash that’s compatible with the Nikon CLS system that I use. This would give me great flexibility in being able to set up multiple light sources in virtually any location at any time. In the same vein, I’d really like to have a relatively short zoom that would make a good balanced match on my D300. When shooting portraiture, I rarely if ever need the 18-200mm “do everything” super-zoom, and I just think that a smaller range lens is a better physical fit on my camera, especially when I’m not using it without the battery grip. Another eventual photographic target would be a “super-wide”, which would be something in the 24mm (35mm equivelant) range, that would give me the ability to set up and shoot interiors. I’ve been interested in lighting and shooting architectural interiors for some time. Maybe I might even be able to turn that into a business opportunity with real estate at some point in the future. Which brings up another item that would probably become a “need” down the road. For my own needs, not having a backup isn’t an issue, but when you are being paid by others for a specific job, non-performance due to equipment failure isn’t really acceptable, which means that there’ll probably need to be a “backup” camera at some point in the future.

This time of budgetary frugality where I’m just planning and not buying anything can be critical in helping me get the equipment that I need/want without make costly mistakes. So let’s look at the areas of future need and what I might want to keep tabs on now.

Lenses: Basically, I need something in the medium, norm-short telephoto range for a primary portraiture lens. Of course the most obvious would be to get into something with a nice wide aperture like f2.8, however after looking into it, I found that you can get more than adequate background blur by using f4 which bring the much more common f3.5 maximum aperture lenses into play. This one change alters the cost landscape by dropping the price by $200 or more. Typically the most flattering focal length used for this type of photography runs in the 75-105mm range which for a DX camera like mine comes out to be 50-70mm after the 1.5x conversion factor. In that case, there are a number of nice old Nikon lenses which are generally pretty inexpensive. In this group there is of course the 28-80mm that Nikon began producing in mass almost as soon as they started making auto-focus film cameras. There are of course others such as the 35-70/35-80mm range as well. These are full-on consumer lens, while-functionally and optically adequate, are often lacking somewhat in build quality, typically having lightweight plastic barrels as well as mounts. That being said, they can often be had for a song…down to the sub-$50 range. One factor for me though, is that I find myself increasingly using the wider focal lengths while shooting portraits and those lenses have ranges that translate to having starting points of 42mm and 52mm converted focal length respectively. Which brings us to the 18-70mm Nikon AF-S. This lens converts to a neat 27-105mm focal length that covers what I’d want to do very well. Plus this lens is considered to be optically very good, a mid-line lens with a metal mount AND was made in relatively large numbers since it was a “kit” lens often included with the D70, D70s and some D200s. This brings the typical price to be somewhere in the palatable $135-150 range. So why not theinexpensive and optically decent 18-55mm? Not much cheaper at around $100, plus hate the “cheap” feel of the build and on top of that, the 18-70mm is thought to be significantly superior on the optical front.

Now the "wide" lens. A long-standing buggaboo for DX cameras due to the smaller than 35mm sensor creates a 1.5x conversion factor often turning a very nice and wide optical formula into something "mid-range"! My widest lens goes down to 18mm (27mm converted) which isn't very wide to start with and at that setting comes with a VERY complex "mustache" shaped distortion as well. What I'd really like to be able to have to shoot indoors or covering large groups is something in the old 24mm range as related to 35mm film cameras. This is fairly wide without introducing a lot of distortion. Nikon makes such a lens, however it sells for a hefty $1000 + or -, used! Luckily, this is an area that all the independent manufacturers out there have had a lot of experience designing in and there are lots of choices. After quite a bit of internet research, I've found that all of the "big three" (Sigma, Tamron & Tokina) have well thought of lenses in this category, and the best balance of optical quality, cost and build is generally acknowledged to be the Tokina 12-24mm/f4. They tend to sell in the $325 to 425 range, but sometimes can be had for slightly less.

Most of the lens research is done and all that really needs to happen is for me to monitor it over time so I can detect trends and be able to differentiate any anomalies. Next on the agenda is the flash. Nikon has 4 flashes that are compatible with their Creative Lighting System (CLS): the current SB-900, SB-700 and the older SB-800, SB-600. They are all great and love the SB-600 that I've had for a couple of years now. Although, I have an old SB-26 with the built-in optical trigger, it's not CLS capable and therefore not directly controllable from the master. And although, the SB-600 has been a revelation, it can't be a "master", nor is it as powerful as the 800/900 strobes. Obviously, since the SB-900 is the newest and biggest, it's also the most expensive. Which leave the SB-800. This is one powerful and flexible flash! If you have any doubts; do yourself a favor, go over to YouTube and watch some of the Joe McNally videos on what can be done with these things. I've found that they routinely sell for $300+, so clearly I'm going to need to find a "deal" or save lots of money!

Which brings us to the last item: the back-up camera. As a back-up, there are certain criteria that it needs to meet. The main one that causes a difficult decision is whether or not you want it to be part your "system". I've decided the answer is YES and in my case, that's Nikon, CLS, and possibly "screw-drive" capability so it can function with the older non-AF-S Nikon lenses (of which I have 2). Of course ideally, a "back-up" should be identical or as much like your primary camera as possible. But obviously, I'm not in a position to buy another D300, or even a D200, nor could I see myself being able to rationalize it in my wildest dreams! This leaves the D70s, D70, D50 and D40. You guys that read this blog on a regular basis already know that I've owned both the D70 and D70s and liked them a lot, so those could be considered no brainers, especially given that they can take the same lenses (screw-drive), flashes (CLS), batteries as well as memory cards as the D300. Unfortunately, there's a downside to them......in that they are virtually identical in size to the D300.....although quite a bit lighter. Of all the candidates, the D40, is by far the smallest, lightest, and the newest (read: most advanced). There are downsides though: that small size and light weight comes at a price, which is the missing screw-drive motor and by extension an inability to focus older lenses. It also takes a different battery as well as SD memory cards instead of the CF cards of the D70/D200/D300. Then there's the D50. Essentially, it's a slightly more modern (but de-featured) D70, which is both smaller and ligthter, but as a consequence, uses the SD memory card as well. On the plus side though, it does have the screw-drive focusing motor and will take the EN-EL3e that the D300 uses. My research has shown that it typically sells in a similar range as the D70 so there's not much to give there. This price point seems to run in the $150 to 200 area so it's a good candidate from a budgetary standpoint.

My reality is that, at the moment, I can't spend much money, but I can plan, plot and watch. So when the time comes, I can pounce!